Arabic literature
Zahra NadAli
Abstract
In every language, there is always a consistent relationship between sound and meaning and the way phonemes are used in inducing concepts. In the science of linguistics, there is a field called "phono-semantic" based on the coexistence of the phonetic structure of words and the correspondence between ...
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In every language, there is always a consistent relationship between sound and meaning and the way phonemes are used in inducing concepts. In the science of linguistics, there is a field called "phono-semantic" based on the coexistence of the phonetic structure of words and the correspondence between sounds and meanings. And in translation as an inter-linguistic and communicative act, it is very important to pay attention to the form of the source text to convey the meaning. The prayers of Imam Sajjad (AS) in the blessed book of Ṣaḥīfah Sajjādīyah are full of pure concepts for worshipping God and have a pleasant and soulful music that has been translated by translators into different languages. In the supplications of Ṣaḥīfah Sajjādīyah, the details of the phonetic level are difficult to translate due to the special features of listening. Therefore, in addition to conveying the meaning, the translator should also pay attention to the phonetic features of the words. In this literary essay, with the analytical descriptive method, the author has criticized four levels of phono-semantic: alliteration, minimal pairs, word plays and rhythm in three translations by Sayyid ʿAlī Mūsawī Garmārūdī, Ilāhī Qumshiʿī and Abdul Muḥammad Āyatī.
